EXIT STAGE LEFT: THE SNAGGLEPUSS CHRONICLES (graphic novel) Written by Mark Russell. Illustrated by Mike Feehan

Published by DC Comics in 2018.

Part of the Hannah-Barbera Beyond series.

2019 GLAAD Media Award winner for Outstanding Comic Book

Synopsis:

DC Comics and Hanna-Barbera set out to reimagine some of their late 1950s to 1970s Saturday morning television cartoons, including The Jetsons, The Flintstones, Scooby Doo, Wacky Races, and Space Ghost. Exit Stage Left: The Snagglepuss Chronicles is the last installment of the series.

The graphic novel is set in the Red Scare/McCarthyism era. Congressional subcommittees are looking for Communists in all fields, but they are particularly concerned about Communist entertainers who may be negatively influencing Americans.

Snagglepuss is a very successful New York City playwright. He lives in a world where humans and anthropomorphic animals interact as equals. He moved to New York from Mississippi years ago, but he still speaks in a Southern accent and often uses pithy folksy aphorisms. He is married to an actress, but that is a sham marriage. In reality, Snagglepuss is gay.

Snagglepuss has already appeared before the Congressional sub-committee and he did well. He defended the concept of Freedom of Speech and gave them a verbal tongue lashing that they will never forget. 

But, now the sub-committee is digging deeper into the personal lives of the people it questions, including looking into their sexual preferences. Getting outed could easily destroy the career of any actor, producer, or writer... 

Other Hanna-Barbera characters that appear in this graphic novel include Huckleberry Hound, Quick Draw McGraw, Augie Doggie, Peter Pottamus, and a very creepy-looking Squiddly Diddly.

My Review:

Imagining Snagglepuss as gay and working in the theatre does not take a lot of actual imagination. I had never really thought about it before I ran across this graphic novel, but it tracked pretty well.

There is a great quote in this graphic novel said by Snagglepuss:

"Sometimes we become so preoccupied with the plot of life that we forget - it's only the characters who matter."

The weakness in this graphic novel is that it tries way too hard to incorporate so much of the Cold War into the plot that it just got confusing. There are nuclear tests, Nixon and Kruschev debating, an Iowa farmer throwing ears of corn at Kruschev, and an ongoing debate about national security. 

I am not arguing that these things were not a part of the anti-gay movement in the 1950s, but it distracted from the main plotline too much. It was too far away from the story of Snagglepuss and Huckleberry Hound. To go back to the quote I thought was so great, the graphic novel got so preoccupied with the Cold War tie-in that it forgot about the characters.

If I were part of the discussion with how to make this an effective graphic novel, I would have dealt with more with the "morals" argument and less with the Cold War argument. It would have been more relevant to nowadays with all of the book bans and boycotts over LGBTQ+ issues.

The nice thing about this graphic novel is that it ties in to the actual Hanna-Barbera TV shows that feature these characters and makes sense, as if the readers that remembers those classic shows is a part of Snagglepuss's world.

I rate this graphic novel 4 stars out of 5. Interesting read, thought-provoking, but flawed. It can be found on Amazon.com here: Exit Stage Left: The Snagglepuss Chronicles.